Lips Touch: Three Times is the newest book by Laini Taylor, author of Blackbringer and Silksinger from her Dreamdark series. Like her other two novels, Lips Touch: Three Times is a YA book, although it is darker and seems to be aimed at an older audience than the Dreamdark books (not that the Dreamdark series is not perfectly enjoyable to read as an adult but more parents would feel comfortable giving younger children the Dreamdark books than they would Lips Touch: Three Times). Lips Touch: Three Times was recently nominated for the National Book Awards in the Young People’s Literature category.
This book is actually a collection of three novellas, each involving a story of dangerous love. It contains beautiful illustrations by Taylor’s husband, Jim di Bartolo, who also does all of her gorgeous book covers. I felt the artwork added a lot to each tale. There were several pictures at the beginning of each novella, and after reading it, I’d always flip back to the art at the beginning and see how each set of art seemed to tell a piece of the story.
Each novella was better than the one preceding it, which is especially good because I was rather disappointed in the first one. However, the next two were both exactly to my taste (they were also darker than the first).
The first novella was the one I thought was the weakest, but it was also by far the shortest since it took up about 1/5 of the entire book. “Goblin Fruit” stems from the author’s love for Christina Rosetti’s poem “Goblin Market.” All of her life, sixteen-year-old Kizzy has been warned about the goblins by her grandmother since her aunt was taken to their land in which she ate of their fruit. Kizzy has always wished to be someone else, which makes her the perfect target for goblins. For the goblins do not seek to ensnare the popular, beautiful girls but prefer the ones who yearn to be so much more than what they are.
The main reason this story did not appeal to me as much as the others is that there was quite a bit of teenage drama – a group of girls hanging out discussing the boys and the other girls. Personally, I’m not at all a fan of reading about what seems like rather shallow, high school conversations about who’s hot or popular. It also contains one of those relationships where the new boy at school likes the plain, unpopular girl (Kizzy) and that storyline doesn’t tend to do much for me, either.
While I did not like most of the story, there were two parts of it that I appreciated. The first of these was the details about Kizzy’s weird family who believed in ghosts and, obviously, goblins. The second and better of the two was the writing, which was beautiful as always and also really managed to capture that feeling of wanting so badly to be more than what you are – dreaming of being able to do anything and everything. This was one of my favorite descriptions of Kizzy’s longing:
Kizzy wanted to be a woman who could dive off the prow of a sailboat into the sea, who would fall back in a tangle of sheets, laughing, and who could dance a tango, lazily stroke a leopard with her bare foot, freeze an enemy’s blood with her eyes, make promises she couldn’t possibly keep, and then shift the world to keep them. She wanted to write memoirs and autograph them at a tiny bookshop in Rome, with a line of admirers snaking down a pink-lit alley. She wanted to make love on a balcony, ruin someone, trade in esoteric knowledge, watch strangers as coolly as a cat. She wanted to be inscrutable, have a drink named after her, a love song written for her, and a handsome adventurer’s small airplane, champagne-christened Kizzy, which would vanish one day in a windstorm in Arabia so that she would have to mount a rescue operation involving camels, and wear an indigo veil against the stinging sand, just like the nomads.
Kizzy wanted. (pp. 41)
On merit of the actual story, I’d give “Goblin Fruit” a 4/10 but due to the fabulous writing and descriptions, it gets an extra point.
This tale of the curse and the young woman in India who must live with it is exactly my type of story and I loved every moment of it. Like the previous story, it is beautifully written but it is also excellent storytelling in addition to the prose. It was dark with some supernatural intervention and tough decisions, plus it had some wonderful arguments about superstition as the cursed girl wrestled with whether or not her belief was based on fabrication. If I had one complaint, it would be that the ending was wrapped up too neatly, although it is also not quite as happy as it could have been.
These weren’t her memories. This wasn’t her eye. (pp. 146)
The first thought Esme has is to show her mother, who becomes completely freaked out and flees her home with her daughter. It’s obvious that this is somehow connected to her mysterious past, although she does not know what is happening.
As you read more, Esme’s mother’s tale is revealed and eventually the rest of what is going on is made clear. This is one of those instances that in spite of how much I want to talk about it, I don’t want to give away what happens. So I will just say that what happened to Esme’s mother as a child is rather disturbing and the reason I loved “Hatchling” so much was this darkness, the way information slowly became available the more I read, and the fact that it had the most developed world mythology.
Lips Touch: Three Times is difficult to rate overall since it contained one story that I was not crazy about as well as two that were some of the very best of everything I have read this year. Since the two novellas I loved so much were about 80% of the book and I did enjoy them so thoroughly, I’m going to weigh them far more than the shorter, weaker novella.
Where I got my reading copy: I bought it (because I very much enjoyed the two books by Laini Taylor that I received as review copies).