The Leaning Pile of Books is a feature in which I highlight books I got over the last week that sound interesting—old or new, bought or received in the mail for review consideration. Since I hope you will find new books you’re interested in reading in these posts, I try to be as informative as possible. If I can find them, links to excerpts, author’s websites, and places where you can find more information on the book are included, along with series information and the publisher’s book description.

Disclosure: I am an affiliate of Bookshop.org, and I will earn a commission if you click through and make a purchase.

It’s been a little while since the last one of these, partially because I got new books when other things were going on (like my birthday-related gifts in April) and there have been a lot of weeks there just hasn’t been anything new. But I added a few books to the TBR over the last couple weeks and thought I’d highlight those that haven’t already been featured this year (like A Long and Speaking Silence by Nghi Vo and The Republic of Memory by Mahmud El Sayed, which I’ve been hearing such great things about).

Since this is the first of these I’ve done this year, I’m not going to link to every single post since the last one of these features, but here are a few highlights in case you missed any of them:

On to the newest additions to the TBR!

Cover of The Salt King by Natasha Pulley

The Salt King by Natasha Pulley

This novel by Natasha Pulley, whose debut The Watchmaker of Filigree Street was a Locus Award finalist for Best First Novel, will be released on August 18 (hardcover, ebook, audiobook).

I’ve not read any of her books before (although I now also have my eye on The Hymn to Dionysus), but this sounded intriguing to me given that it sounds like it blends multiple genres and focuses on some interesting themes, like the power of myth.

 

An apocalyptic novel about belief, religion, and the power of myth that blends the gripping, end-of-the-world storytelling of The Passage with the biting wit and epic queer romance that makes Natasha Pulley’s books “delightful” (The Washington Post).

Jesuit priest Avelyn Brocken was born into a mining family in Hreodwater, a small, totally isolated salt town in the Fens of England. At age 16, he fled, abandoning his faith in the god of the mine-the Salt King-and the mythology that killed his whole family.

When a fellow priest is miraculously healed only to then be turned to salt after a visit to Hreodwater, Avelyn is sent by the Vatican to investigate. But in Hreodwater, the town’s gentle doctor, Jericho, tells him that the priest is not the only one experiencing strange cures-and may not be the only one in danger from a substance in the mine that the locals call “salt light.”

Avelyn and Jericho team up to protect the world from the salt light-but they may already be too late: strange happenings are occurring at mines all around the world. At an archaeological dig on the Dead Sea, electrical devices froth salt; at another salt mine in Russia, a KGB officer finds the bodies of five tourists who seem to have turned to salt; and at the huge salt works at Wieliczska in Poland, all communication is lost, and rumors circulate of total annihilation.

As salt light spreads, devastating cities around the world, Avelyn must decide what and who to believe-and whether his faith is strong enough to withstand an apocalypse.

Cover of The Sourdough Compendium by A. G. Slatter

The Sourdough Compendium: Dark and Dangerous Fairy Tales by A. G. Slatter

This collection of stories set in the Sourdough universe will be released in trade paperback and ebook. It’s scheduled for publication on June 9 in the US and UK and June 16 in Australia and New Zealand.

This edition is a compilation of three previous collections, starting with the World Fantasy Award–winning The Bitterwood Bible and Other Recountings, which is then followed by Sourdough and Other Stories and The Tallow-Wife and Other Tales. They are in that order instead of publication order since the first of those was a set of prequel stories, according to the author’s note in the beginning of this volume.

I’ve been interested in discovering the Sourdough universe for a while, and although I tend to read more novels than short stories, the short fiction collections felt like the right place to start to me for some reason. (I do have a particular fondness for dark and dangerous fairy tales; after all, one of the very first books I remember reading and loving was a Hans Christian Andersen collection.) Given that the Sourdough collections all seemed to be out of print when I looked for them at one point, I was thrilled to learn they were being rereleased in one volume.

A. G. Slatter was also here shortly after the release of one of her novels set in this universe, The Crimson Road, during Women in SF&F Month 2025 with an essay about writing stories of various lengths titled “The Long and the Short of It.”

 

Award-winning stories from the world of All the Murmuring Bones and The Briar Book of the Dead, this is a compendium of fantastic tales from the dark gothic heart of the Sourdough universe. Witches, assassins and pirates are brought to life in immersive, sinister and magical prose.

Within these pages, coffin-makers work hard to keep the dead buried and their own murderous urges in check; poison girls are schooled in the art of marital assassination; books carry forth stories and forbidden secrets; a young witch wreaks a terrible revenge on an old lover; the Little Sisters of St Florian devote their lives to knowledge good and bad; a dying forest god is reinvigorated; mermaids and seamstresses make dangerous bargains; changelings bring havoc. Saints slumber, hind-girls dance across the countryside, bears show their true colours, and the fate of the upper and lower worlds rests on the whim of a volatile plague maiden…

Comprised of three collections (Sourdough and Other Stories, The Bitterwood Bible and Other Recountings and The Tallow-Wife and Other Tales) these award-winning storms form much of the foundational mythology for Slatter’s dark fairy-tale gothic Sourdough novels. Exquisite, compelling and rich with unforgettable characters, these tales layer and intertwine in the dextrous hands of a master storyteller.

Cover of Everybody's Perfect by Jo Walton

Everybody’s Perfect by Jo Walton

Jo Walton’s next novel, set in a fantasy version of Venice, will be released on June 30 (hardcover, ebook).

The publisher’s website has an excerpt from Everybody’s Perfect, although the formatting is a bit off since all the paragraphs seem to run together. (I tried to find another sample, but that’s the only one I could find!)

This sounds mythical and compelling, and I’ve been meaning to read more by Walton since I very much enjoyed her World Fantasy Award–winning novel Tooth and Claw with its very proper flesh-eating dragons in a Victorian Era setting.

 

Piranesi meets Swordspoint in an elegant relay race through fantasy Venice from Hugo award-winning author Jo Walton

The Serenissima is built from mist and belief, a mythical shadow sister to Venice and crossroads of the nine worlds.

When a laborer called Tiry has a dream that Serenissima will have a doge, and that they will marry the sea, he tells it to a fortune teller named Khadsha. She tells her apprentice, a gondolier called Taddeo, who tells a cop named Gom, who’s heard it from five people this morning already. And by that point, it’s already settled into the bones of the Serenissima, more than half-fated.

Everybody’s Perfect is a gentle, shifting, structurally inventive narrative of startling beauty that will make you rethink everything you think you know about fantasy.

Cover of A Reaper at the Gates by Sabaa Tahir

A Reaper at the Gates (An Ember in the Ashes #3) by Sabaa Tahir

Technically, I recently got both this and A Sky Beyond the Storm, the fourth and last book in this New York Times bestselling YA fantasy series.

It’s been a stressful month or so, and when that first started, I was looking for something fun to read. After scouring my bookshelves, I decided to finally pick up An Ember in the Ashes (which I have had for some time seeing as I got for Christmas 2017).

I’m a mood reader, and this is why I like having so many books I haven’t read to choose from at any time. This was a case of the right book at the right time for me, and it ended up being just what I needed: something entertaining and not too complicated, meaning I could just get lost in it and read. Shortly after that, I bought and read the second book in the series, and I just went ahead and got the last couple of books once I finished that one.

It’s bothering me that it was literally impossible for me to get copies matching my edition of the first book in the series since the cover styles changed after the second book came out, but at least I could still get them all in hardcover… although the newer editions are not even the same size hardcover, which is also annoying me.

 

BOOK THREE IN THE NEW YORK TIMES BESTSELLING SERIES • An Entertainment Weekly Summer Reads pick!

“The perfect summer read.” –The Washington Post

The beloved and bestselling fantasy series that “glows, burns, and smolders.” (Huffington Post).

Beyond the Martial Empire and within it, the threat of war looms ever larger.

Helene Aquilla, the Blood Shrike, is desperate to protect her sister’s life and the lives of everyone in the Empire. But she knows that danger lurks on all sides: Emperor Marcus, haunted by his past, grows increasingly unstable and violent, while Keris Veturia, the ruthless Commandant, capitalizes on the Emperor’s volatility to grow her own power–regardless of the carnage she leaves in her path.

Far to the east, Laia of Serra knows the fate of the world lies not in the machinations of the Martial court, but in stopping the Nightbringer. But in the hunt to bring him down, Laia faces unexpected threats from those she hoped would help her, and is drawn into a battle she never thought she’d have to fight.

And in the land between the living and the dead, Elias Veturius has given up his freedom to serve as Soul Catcher. But in doing so, he has vowed himself to an ancient power that demands his complete surrender–even if that means abandoning the woman he loves.

If you missed the second of my 2026 book recommendations events with the Ashland Public Library last night, you can watch the video on Youtube here. While last year’s program focused on both fantasy and science fiction, I’m primarily focusing on fantasy book recommendations this year. (But if you’re looking for more science fiction books this year, Elizabeth Bear has you covered!)

2026 Virtual Fantasy Book Recs with Kristen of Fantasy Cafe Graphic

This time, I highlighted the following:

These book recommendation events are quarterly half-hour long discussions taking place on Zoom on the third Thursday of the month, and the next book chat will be from 6:30 to 7:00 ET on August 20. You can register for the next virtual book recommendations event here.

One week from today, I’ll be doing the second quarterly virtual book recommendations event with the Ashland Public Library in Massachusetts of this year. If you followed last year’s recommendations, both fantasy and science fiction books were covered. This year, I’m focusing on fantasy books and author Elizabeth Bear is covering science fiction recommendations. (She just did her second recommendation event last night, which made me want to start a couple of books on my shelves I still need to read!)

I’ll be sharing these fantasy book recommendations on Zoom from 6:30 to 7:00 PM Eastern Time on Thursday, May 21, and if you want to join us live next week, you can register here.

2026 Virtual Fantasy Book Recs with Kristen of Fantasy Cafe Graphic

If you want to see it but can’t make it, I will be posting the video later. You can keep up with each video at this link, and the previous recommendations event videos can be seen at the following links:

To Shape a Dragon's Breath
by Moniquill Blackgoose
528pp (Trade Paperback)
My Rating: 8/10
LibraryThing Rating: 4.18/5
Goodreads Rating: 4.1/5
 

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To Shape a Dragon’s Breath by Moniquill Blackgoose, the first book in a trilogy set in an alternate historical version of our world with dragons, was one of my favorite books published in 2023. Since I wanted to refresh my memory before reading To Ride a Rising Storm, the second book in the Nampeshiweisit trilogy that was released earlier this year, I decided to reread it and write a lengthier review than my previous best-of-the-year summary before continuing the series.

Fortunately, I found To Shape a Dragon’s Breath every bit as delightful as it was the first time I read it. Once again, I was a bit puzzled by just how much I enjoyed it since I tend to gravitate toward books with complex, messy characters dealing with internal conflicts, and this novel’s protagonist is very much the opposite: someone with a strong sense of self who comes close to being a bit too neat and perfect at times, though I felt this fit her background and character since she doesn’t quite cross the line into unbelievably faultless. I suppose my love of academic settings, fantasy of manners, and characters who call out ridiculous social rules supersedes my love of deeply flawed protagonists when handled as well as Blackgoose did in her award-winning debut novel—and it actually ended up being refreshing to follow a self-assured character helping those who are still trying to figure out who they want to be in this case.

Though published through an adult speculative fiction imprint, To Shape a Dragon’s Breath has received recognition in both young adult and adult fiction award categories. It tells the story of a young Indigenous woman who attends a college-like academy for people bonded with dragons in an alternate 1840s North America (set in the New England region, namely versions of Rhode Island and Massachusetts). The novel opens with the protagonist, Anequs, becoming the first person from her island to see a dragon in ages, prompting her to discover an egg that was left behind. After this egg hatches, Anequs also becomes the only one of her people in living memory chosen to be a dragon’s companion. Since much of her people’s knowledge about dragons and their bonds with humans has been lost over time, Anequs ends up deciding it is her duty to go to a dragon academy run by the colonizers on the mainland after her dragon accidentally burns her younger sister when frightened.

Life at the academy is a challenge for Anequs, between navigating a different culture with different social rules and learning some unfamiliar subjects, particularly the chemistry-based system that allows someone to shape a dragon’s breath into various elements. Worst of all, many people do not want Anequs at the academy, and her studies are made more difficult by several people—ranging from her fellow students to her teachers to powerful politicians—who feel threatened by the idea of Indigenous people having dragons, particularly now that there are a grand total of two of them. But Anequs is determined to succeed: if she cannot prove she’s capable of shaping her dragon’s breath and preventing her from being a danger to others, the cost will be her dragon’s life.

To Shape a Dragon’s Breath has collected several awards and accolades since its 2023 publication—including winning the Andre Norton and Lodestar Awards and being nominated for the Locus Award for Best Fantasy Novel—and it’s easy to see why. I found it riveting from start to finish, and I loved the world, the oral stories sprinkled throughout, and the school setting. Although I prefer stories with more richly developed characters, felt conflicts were often resolved too quickly and easily, and thought major events toward the end were not given the weight they deserved, I found this to be an engaging, delightful book that stood out more than most of those I read.

I can’t comment on the next book in the series yet, but this novel is somewhat small in scale, focusing on a localized region containing a couple of islands and the area on the mainland relatively close to the school. The stakes are not the fate of the world, and although a lot of it feels low stakes given the heavy focus on classes and social gatherings, the stakes certainly aren’t low for Anequs and her dragon. While dragons are sacred to Anequs and her people, she discovers that the Anglish people who came across the ocean kill dragons they consider feral and have even put them to death because they don’t like their choice of companion. These dragons are wild animals that can be a danger to people, and although they form a bond with a human, they aren’t the type who use language or communicate clearly. The dragon and their human companion can only sense what the other is feeling in the moment, such as when Anequs picks up on the fear that makes her dragon loose the breath that hurts her sister early in the novel—and it’s vital for these creatures’ safety and longevity that they learn to refrain from actions making them seem too prone to violence.

In this version of the world, there never was a Roman Empire. The people who colonized North America followed Scandinavian culture and traditions, and though the names have been slightly altered, many of their stories and holidays are steeped in Norse mythology. In addition to containing alternate history, there are also speculative elements in the form of steampunk/Gaslamp fantasy technology like automated horses, chairs with crab-like legs for those unable to walk, and various inventions powered by the dragon’s breath that can be broken down and shaped into different elements.

Despite these speculative and historical changes, the Anglish people in this setting did carry over the hierarchical views and social rules associated with the Victorian era. Part of what I found compelling about this book was being immersed in this society while getting the first-person perspective of an outsider who didn’t grow up with these rules and often challenges them. Anequs doesn’t see any reason she can’t befriend a maid or consider courting a woman (or a man and a woman at the same time), and it doesn’t make sense to her that some things are “for ladies” and others are “for gentlemen.” But as much as I enjoyed her character, I sometimes wondered if maybe she seemed a little too wise and together, given she always seemed to have all the answers and not one drop of uncertainty. Although I can’t think of many qualities she has that would be considered flaws, I feel like she’s just imperfect enough to be realistic. There are times she speaks her mind when it may not be advisable, even if she does tend to be in the right and being outspoken doesn’t get her into as much trouble as one might expect. Given that, the main factor that convinced me was a moment when she realized she’d previously been wrong to dismiss her roommate’s offer of help as not being useful after she’d gained a better understanding of Anglish society.

After putting some thought into it, I ended up deciding that being wise and together fit her character. Although she’s only fifteen years old at the start of the novel, she’s been an adult in her culture for two years at that point. As the older daughter in a family with four children, she’s also been raised to understand how to run a household with the expectation that she’ll take her mother’s place one day, and she’s helped look after her two younger siblings. Her reactions to life among the Anglish showed she was raised in a culture that valued respecting others and allowing them to be who they were so long as they weren’t hurting anyone else. Starting from this point earlier in life seems like it would make it easier to be self-assured and secure in oneself at a younger age, and she wouldn’t have to unpack all the social baggage so many accumulate and end up contending with when they leave home for the first time.

With these qualities, Anequs is the person in the friend group who is always giving good advice, trying to help, and supporting everyone else. The other students and young people around her have more internal conflicts and struggles with figuring out who they want to be and how they can exist in their society. Liberty, an indentured maid with a talent for sewing whom Anequs befriends and crushes on, has had to hide that she is only attracted to other women. Theod, the other Indigenous student (whom Anequs also crushes on), only knows what the Anglish have told him of his heritage, having been raised among them after his parents were executed when he was a child, and is frustrated by Anequs’s refusal to behave as expected and try to blend in. Sander, who becomes Anequs’s friend after he helps her in one of their classes, is often treated poorly and underestimated due to his autism. Marta, Anequs’s roommate as the only other young woman attending the academy, has a lot of the aforementioned social baggage but seems to have a good heart underneath it all—if only she can learn to follow it instead of pursuing status and propriety, which she feels is even more necessary given she’s going into a male-dominated field and is therefore a bit of an oddity.

I enjoyed all these characters and their dynamics with Anequs, and I also appreciated the variety of adults at the academy. Its headmistress is the type who has often been the protagonist in a fantasy novel: she disguised herself as a boy to gain access to the male field of dragoneering when she was young, eventually becoming the first woman in the field. Though she has some clashes with Anequs due to her overall Anglishness and insistence on “proper” behavior—in large part because she realizes there are many people looking for excuses to make her stop doing unusual things like teaching people who aren’t young white men—she’s also advised by the softhearted matron of the house who tends to be sympathetic to the students. The professors range from one who actively tries to sabotage Anequs’s education to one who supports her by showing that she knows a lot more about natural philosophy than she thinks she does when starting his class. Most of the others are between those two: it’s common for them to do things like show surprise at Anequs’s knowledge or make uncomfortable comments related to her people and culture, but they don’t seem to be trying to make her studies any more difficult than they’re supposed to be.

As much as I enjoyed the dragons and the scholastic setting, I found the alternate world and the mythological stories covering subjects like how one of Anequs’s people became the first to bond with a dragon stood out more (and as previously mentioned, I love fantasy of manners). Yet in the end, what I found most memorable was Anequs herself: like many characters in this novel, she was shaped by her background and circumstances, and she showed what formidable strength can come from growing up among those who value community and acceptance. I look forward to reading more about her and seeing where her story goes next in To Ride a Rising Storm.

My Rating: 8/10

Where I got my reading copy: Finished copy from the publisher.

Read/Listen to a Sample from To Shape a Dragon’s Breath

Read Moniquill Blackgoose’s 2023 Women in SF&F Month Essay

Women in SF&F Month Banner

Thank you so very much to all of this year’s guests for making April 2026 another incredible Women in SF&F Month! And thank you to everyone who shared guest posts and helped spread the word about this year’s series. It is always very much appreciated!

Now that all of this year’s essays are up, I wanted to make sure there was a way to find all guest posts from 2026. This was (somehow) the fifteenth annual Women in SF&F Month, which is dedicated to featuring some of the many women doing fantastic work in speculative fiction genres. Guest posts have included both discussions related to women in fantasy and/or science fiction and discussions related to an author’s work, experiences as a reader and/or writer, and creating stories, characters, and/or worlds.

You can browse through all the Women in SF&F Month 2026 guest posts here, or you can find a brief summary of each with its link below.

Women in SF&F Month 2026 Guest Posts

Veronica G. Henry — “The Birthplace of Consciousness”
The People’s Library author Veronica G. Henry wrote about one of the main themes from her latest novel and the importance of the number zero in shaping her concept.

Elaine Ho
Cry, Voidbringer author Elaine Ho discussed a question she explores in her dark political fantasy novel: “Why do post-colonial societies perpetuate the same crimes as their oppressors?”

Ai Jiang — “A Different Kind of Comfort”
Natural Engines author Ai Jiang wrote about how stories exploring identity and the self particularly resonate with her and shared about a few she found impactful.

Shay Kauwe — “The Kuleana of Being an Eldest Daughter”
The Killing Spell author Shay Kauwe shared about what being an eldest daughter means to her and making the protagonist in her urban fantasy novel an eldest child who goes on the Heroine’s Journey.

Isabel J. Kim — “Writing the Other”
Sublimation author Isabel J. Kim discussed a question she was asked regarding writing a different gender and her approach to writing characters outside her comfort zone with examples from her science fiction debut novel.

Samantha Mills — “Epic Worldbuilding in Short Fiction”
Rabbit Test and Other Stories author Samantha Mills shared what she learned about writing SFF short fiction when she went from creating novel-length works to short stories.

Cheryl S. Ntumy — “The Gods Made Me Do It: Spirituality and Autonomy in They Made Us Blood and Fury
Chronicles of the Countless Clans author Cheryl S. Ntumy discussed gods and religion in her fantasy novel, as well as some of the questions she kept in mind when writing it.

E. J. Swift — “Reclaiming space in the great outdoors”
When There Are Wolves Again author E. J. Swift shared about her love of the natural world and how this relates to the ideas she explores in her two latest science fiction novels.

Sonia Tagliareni — “Does a Soft Female Lead Belong in SFF?”
Deathbringer author Sonia Tagliareni discussed the power of softer female characters and Viola, the lead from her dark academia/fantasy romance novel.

Tesia Tsai — “The Fate of the Eldest Daughter”
Deathly Fates author Tesia Tsai wrote about how being an eldest daughter impacts the women she writes and their growth.

Nghi Vo — “No Wrong Schedules”
Singing Hills Cycle author Nghi Vo shared about her experience with trying Ursula K. Le Guin’s writing routine and discovering it doesn’t matter where or when she writes as long as words get on the page.

Lorraine Wilson — “Finding hope — writing in hard times, the ‘punk’, and envisioning better futures”
The Salt Oracle author Lorraine Wilson discussed the difficulty of being creative with everything going on in the world and shared some methods that have helped her continue to write and find the light.

Women in SF&F Month Banner

Today’s Women in SF&F Month guest is Ai Jiang! Her poetry and short stories include “We Smoke Pollution,” winner of the 2023 Ignyte Award for Best in Speculative Poetry, and “Give Me English,” a Nebula and Locus Award finalist for Best Short Story. She is also the author of the Bram Stoker and Nebula Award–winning horror novella Linghun and the science fantasy novel An Empire in the Clouds (coming in September). Her next book, A River From the Sky, comes out tomorrow and will complete the science fantasy duology Natural Engines that starts with A Palace Near the Wind. I’m thrilled she’s here today to share about the types of stories that resonate with her in “A Different Kind of Comfort.”

Cover of A River From the Sky by Ai Jiang

About A River From the Sky:

From the Nebula and Bram Stoker Award®-winning author comes the lyrical and moving science-fantasy follow-up to A Palace Near the Wind, as Lufeng and her sister Sangshu fight to protect their culture and their world. For readers of Nghi Vo, Amal El-Mohtar and Kritika H. Rao.

Fleeing from the Palace and crashing into the waters below its steep walls, Lufeng and her siblings reach Gear, with its huge deadly water wheels, where their sister Sangshu is waiting for them. In the chaos of the enormous waves, within moments they’re snatched away and taken into rebel territory, where they learn more of the deadly experiments Zinc has wreaked upon the people.

Loyal to Copper now, Sangshu herself is a victim of Zinc’s experiments. Desperate to find her family, she races through Gear to Engine, ruthless Zinc’s industrial heartland, where she burns with a desire to fix her own mistakes and those of others and find a way to save her world.

This powerful, beautifully told novella explores the bonds of family, the pain of leaving all you have known behind, and the terrible price of our industrial future.

A Different Kind of Comfort
By Ai Jiang

Lately, I have been reflecting much on the various media I consume and what has lingered with me over time, and something I noticed is that the works that resonate with me most are ones exploring identity and the self.

During university, the book that brought me most comfort, along with the writer who became such an inspiration to me, is A Wizard of Earthsea by Ursula K. Le Guin. At the time, I was grappling with all the mistakes I had made in life up to that point, as a result of the arrogance of idealism, and the regret that followed. Within me, a darkness grew, and it was not one I knew how to cast light upon, because to recognize it meant accepting failure. Growing up, I had always believed that failure was unacceptable rather than something necessary. And it was through Ursula K. Le Guin’s novel that I was able to overcome regret, to reconcile with a part of myself that I believed had been shameful.

When I had first entered the short story space, about two years after graduating from the University of Toronto, one of the first stories I’d read while trying to work on my own writing craft was Isabel J. Kim’s “Homecoming is Just Another Word for the Sublimation of the Self”. Till this day, it remains one of my favorite short stories of all time, as it interweaves an element of folklore with speculative fiction set in a world that feels one step removed from our own. As I read this story, I felt a hollow ache within me slowly being mended. Kim had put into words the very dividedness of straddling two cultures I’ve felt my entire life, of the conflict between external society and at-home life and cultural community, the teachings that sometimes contradict one another, and the questions of “What if?” What if I had not left my birth country? What kind of person would I have become? Would it have been better? Worse?

This brings me to the 2022 movie Everything Everywhere All at Once that essentially encapsulates everything I have ever contemplated in my life, about myself, about my family and those around me. Evelyn and her multiverse reveal all the possibilities that we wish for and dream about as immigrants and members of the diaspora—these pockets of space hold not only our own hopes but also those of our parents’. It breaks down the confines and constrictions that society has placed on us and we have placed on ourselves. Evelyn’s experience helped me reflect on my own familial dynamics and struggles. Particularly my relationship with my mother.

Sometimes, I find myself at the dinner table, bowls and plates still littered across the surface not yet cleared, peering at the leftovers that remain in front of us, staring at what I have always felt was the comfort of home, and asking, ruefully, what my parents’ dreams were, and what they are now. And they always answer the former question with an incredulous chuckle, as if they were an impossibility. And then they answer the latter question, and it always involves their children, me and my sister, and sometimes I wish they would save those dreams for themselves—especially my mother, my grandmother, who I believe had their dreams taken from them before they could even think to have them.

So I suppose what fantasy and science fiction has become for me is a depiction of what could be and what could have been, what never was and never will be, and my hope is to continue writing about women who have suffered at the hands of the world and both those who are able to overcome, and those who wish that they had and couldn’t. I believe both types of stories, whether hopeful or bitter, may be able to provide different comforts—because I know they have for me.

Photo of Ai Jiang by Yizhi Zhang
Photography by Yizhi Zhang
Ai Jiang is a Chinese-Canadian writer, winner of the Bram Stoker®, Nebula and Ignyte Awards, and Hugo, Astounding, Locus, and BSFA Award finalist, and an immigrant from Changle, Fujian currently residing in Toronto, Ontario. Her work can be found in F&SF, The Dark, Uncanny, The Masters Review, among others. She is the recipient of Odyssey Workshop’s 2022 Fresh Voices Scholarship and the author of Linghun and I AM AI. The first book of her novella duology, A Palace Near the Wind, is out now, with A River From the Sky coming in Spring 2026. Find her on most social media platforms and for more information go to aijiang.ca.