It seems like it becomes harder to limit my anticipated speculative fiction book releases post to a semi-reasonable number of works every year, and it was incredibly difficult to narrow down my initial long list of titles coming out in 2021. But after scouring the web for early reviews, excerpts, and more information from the author and/or publisher, I managed to cut it down to 30 books that I think look especially promising. (Of course, a few of these books are also ones that I do not need to know much about yet because of the strength of their authors’ previous works!)

As always, this is nowhere close to being a comprehensive list of speculative fiction being published in 2021, and I’m sure I will hear of more books that sound noteworthy throughout the year. A couple of these books appeared on my list last year since they were originally scheduled for publication in 2020, and some of these may end up being pushed back as well. I did not include books I’m hoping to see over the next few months if I couldn’t find anything from the author or publisher saying it was scheduled for this year (such as the sequel to Rebecca Roanhorse’s Black Sun, which would absolutely be near the top of a list like this one!).

This list is ordered by release date, if known, and these dates are US release dates unless otherwise stated. The first book on this list just came out this month, but the rest are upcoming.

Due to the length of this blog post, I’m only showing the first 6 books on the main page. You can click the title of the post or the ‘more…’ link after the sixth book to read the entire article.

Some cover images or titles link to Amazon. As an Amazon Associate I earn from qualifying purchases.

Hall of Smoke by H. M. Long - Cover Image
Hall of Smoke by H. M. Long
Read an Excerpt
Scheduled Release Date: January 19 (Out Now!)

H. M. Long’s debut novel sounds right up my alley with its warrior priestess and meddling gods. The FAQs section on the author’s website has a brief description with a little about who may be especially interested in checking it out:

Hall of Smoke is an epic fantasy with a Viking flavour, packed with action, meddling gods, and an atmospheric world of pines and mountains and creatures that want to eat you.

Readers, if you’re a fan of Brian Staveley, Robin Hobb, Tasha Suri, and RJ Barker, you will love Hall of Smoke.

Gamers? If you’re into Skyrim, God of War, or Assassin’s Creed Valhalla, Hall of Smoke is for you.

Binge-watchers? If Vikings, The Last Kingdom and Netflix’s Barbarians are your thing, Hall of Smoke will be too.

And how could I not want to read a book after catching a glimpse of the line “I was the first to offend the goddess this season” on the very first page?

 

Epic fantasy featuring warrior priestesses, and fickle gods at war, for readers of Brian Staveley’s Chronicles of the Unhewn Throne.

Hessa is an Eangi: a warrior priestess of the Goddess of War, with the power to turn an enemy’s bones to dust with a scream. Banished for disobeying her goddess’s command to murder a traveller, she prays for forgiveness alone on a mountainside.

While she is gone, raiders raze her village and obliterate the Eangi priesthood. Grieving and alone, Hessa – the last Eangi – must find the traveller and atone for her weakness and secure her place with her loved ones in the High Halls. As clans from the north and legionaries from the south tear through her homeland, slaughtering everyone in their path Hessa strives to win back her goddess’ favour.

Beset by zealot soldiers, deceitful gods, and newly-awakened demons at every turn, Hessa burns her path towards redemption and revenge. But her journey reveals a harrowing truth: the gods are dying and the High Halls of the afterlife are fading. Soon Hessa’s trust in her goddess weakens with every unheeded prayer.

Thrust into a battle between the gods of the Old World and the New, Hessa realizes there is far more on the line than securing a life beyond her own death. Bigger, older powers slumber beneath the surface of her world. And they’re about to wake up.

Midnight Doorways by Usman T. Malik - Cover Image
Midnight Doorways: Fables from Pakistan by Usman T. Malik
Scheduled Release Date: February

Bram Stoker and British Fantasy Award–winning author Usman T. Malik’s debut collection is being released as a one-print run illustrated hardcover with artwork by Pakistani artists. I have been hearing lots of praise for these stories and it sounds like a gorgeous book!

 

From the winner of  The British Fantasy Award and The Bram Stoker Award

* Stranded by the Taliban in the ruins of a pre-Islamic city, a woman chaperoning a school trip faces ancient horrors as boys go missing and the fog rolls in.
* Two lovers are set adrift amidst rising floodwaters in 1960s Old Lahore
* A Lahori orphanage for girls is haunted by birds and eerie visions.

With a meticulously designed cover and beautiful black-and-white illustrations by seven different Pakistani artists, Midnight Doorways is a unique community project highlighting the scope of speculative art and literature in Pakistan.

On Fragile Waves by E. Lily Yu - Cover Image
On Fragile Waves by E. Lily Yu
Scheduled Release Date: February 2

Astounding Award—winning author E. Lily Yu’s short fiction has been selected for a dozen best-of-the-year anthologies, and her stories have been finalists for several awards, including but not limited to the Hugo, Nebula, and World Fantasy Awards. On Fragile Waves, her debut novel, is coming soon from Erewhon Books and sounded particularly intriguing to me because of its integration of fairy tales and storytelling and the mentions of lyrical, poetic prose.

 

The haunting story of a family of dreamers and tale-tellers looking for home in an unwelcoming world.

Firuzeh and her brother Nour are children of fire, born in an Afghanistan fractured by war. When their parents, their Atay and Abay, decide to leave, they spin fairy tales of their destination, the mythical land and opportunities of Australia.

As the family journeys from Pakistan to Indonesia to Nauru, heading toward a hope of home, they must rely on fragile and temporary shelters, strangers both mercenary and kind, and friends who vanish as quickly as they’re found.

When they arrive in Australia, what seemed like a stable shore gives way to treacherous currents. Neighbors, classmates, and the government seek their own ends, indifferent to the family’s fate. For Firuzeh, her fantasy worlds provide some relief, but as her family and home splinter, she must surface from these imaginings and find a new way.

This exquisite and unusual magic realist debut, told in intensely lyrical prose by an award winning author, traces one girl’s migration from war to peace, loss to loss, home to home.

The Gilded Ones by Namina Forna - Book Cover
The Gilded Ones (The Gilded Ones #1) by Namina Forna
Read an Excerpt
Scheduled Release Date: February 9

Namina Forna’s debut novel is one of those books I was excited about last year that ended up being pushed back to this year. I’ve been eager to read this YA fantasy series since I came across a fantastic interview with the author at Refinery29, in which she describes The Gilded Ones as “a book of my anger about being a woman.” She expanded on that later in her answer by saying:

It’s just this idea that women, we are seen as objects. It doesn’t matter where in the world we are. That’s why women in my book literally bleed gold. If someone bleeds gold, then you can use that as a basic value, so that’s that metaphor right there.

(And I have a guest post by Namina Forna to share with you next month!)

 

The most anticipated fantasy of 2021. In this world, girls are outcasts by blood and warriors by choice. Get ready for battle. 

Sixteen-year-old Deka lives in fear and anticipation of the blood ceremony that will determine whether she will become a member of her village. Already different from everyone else because of her unnatural intuition, Deka prays for red blood so she can finally feel like she belongs.

But on the day of the ceremony, her blood runs gold, the color of impurity–and Deka knows she will face a consequence worse than death.

Then a mysterious woman comes to her with a choice: stay in the village and submit to her fate, or leave to fight for the emperor in an army of girls just like her. They are called alaki–near-immortals with rare gifts. And they are the only ones who can stop the empire’s greatest threat.

Knowing the dangers that lie ahead yet yearning for acceptance, Deka decides to leave the only life she’s ever known. But as she journeys to the capital to train for the biggest battle of her life, she will discover that the great walled city holds many surprises. Nothing and no one are quite what they seem to be–not even Deka herself.

The start of a bold and immersive fantasy series for fans of Children of Blood and Bone and Black Panther

The Councillor by E. J. Beaton - Cover Image
The Councillor by E. J. Beaton
Read an Excerpt
Scheduled Release Date: March 2

E. J. Beaton’s debut novel piqued my interest with the description “Machiavellian fantasy,” and I was only more intrigued by it after learning more about how the author’s study of Renaissance literature was a major influence in this interview at The Fantasy Hive.

 

This Machiavellian fantasy follows a scholar’s quest to choose the next ruler of her nation amidst lies, conspiracy, and assassination

When the death of Iron Queen Sarelin Brey fractures the realm of Elira, Lysande Prior, the palace scholar and the queen’s closest friend, is appointed Councillor. Publically, Lysande must choose the next monarch from amongst the city-rulers vying for the throne. Privately, she seeks to discover which ruler murdered the queen, suspecting the use of magic.

Resourceful, analytical, and quiet, Lysande appears to embody the motto she was raised with: everything in its place. Yet while she hides her drug addiction from her new associates, she cannot hide her growing interest in power. She becomes locked in a game of strategy with the city-rulers – especially the erudite prince Luca Fontaine, who seems to shift between ally and rival.

Further from home, an old enemy is stirring: the magic-wielding White Queen is on the move again, and her alliance with a traitor among the royal milieu poses a danger not just to the peace of the realm, but to the survival of everything that Lysande cares about.

In a world where the low-born keep their heads down, Lysande must learn to fight an enemy who wears many guises… even as she wages her own battle between ambition and restraint.

A Desolation Called Peace by Arkady Martine - Cover Image
A Desolation Called Peace (Teixcalaan #2) by Arkady Martine
Read an Excerpt
Scheduled Release Date: March 2

A Desolation Called Peace is the sequel to Arkady Martine’s Hugo Award–winning debut novel, A Memory Called Empire, which was also a finalist for the Nebula Award, Arthur C. Clarke Award, and the Goodreads Choice Award for Science Fiction, among numerous other awards. I’m about halfway through A Memory Called Empire now and am LOVING it—from the beautiful writing, to its appreciation of words and literature, to the exquisite details and politics, to the way it captures the loneliness and complications of suddenly finding oneself ambassador to a place one is visiting for the first time.

 

A Desolation Called Peace is the spectacular space opera sequel to Arkady Martine’s genre-reinventing, Hugo Award-winning debut, A Memory Called Empire.

An alien armada lurks on the edges of Teixcalaanli space. No one can communicate with it, no one can destroy it, and Fleet Captain Nine Hibiscus is running out of options.

In a desperate attempt at diplomacy with the mysterious invaders, the fleet captain has sent for a diplomatic envoy. Now Mahit Dzmare and Three Seagrass—still reeling from the recent upheaval in the Empire—face the impossible task of trying to communicate with a hostile entity.

Their failure will guarantee millions of deaths in an endless war. Their success might prevent Teixcalaan’s destruction—and allow the empire to continue its rapacious expansion.

Or it might create something far stranger . . .

(more…)

Truth be told, 2020 was not the easiest year for concentrating on reading (or writing for that matter, which is why it took me so much longer than usual to get this post together). But it was a year filled with AMAZING books, and I am so grateful to every author on this list for their work, as well as many others whose stories helped me get through this year.

Cover images link to Amazon. As an Amazon Associate I earn from qualifying purchases.

Favorite Books of 2020

The Wolf of Oren-Yaro by K. S. Villoso - Book Cover The Ikessar Falcon by K. S. Villoso - Book Cover

Books of the Year
1–2. The Chronicles of the Bitch Queen #1–2 by K. S. Villoso
The Wolf of Oren-Yaro and The Ikessar Falcon
My Review of The Wolf of Oren-Yaro
Read Excerpts: Book One | Book Two

The Wolf of Oren-Yaro and The Ikessar Falcon were both re-released by Orbit Books in 2020 after having been self published, and the first book in this series was my absolute favorite book of the year until I read the phenomenal sequel, which is even better.

Set in an epic fantasy world whose “worldbuilding is a love letter to the Philippines,” the series is narrated from the first-person perspective of Queen Talyien, who has one of the best, most vivid, distinct voices I have ever read. Her personality shines through every page, bringing the world and events to life, and her opening line hooked me immediately:

“They called me the Bitch Queen, the she-wolf, because I murdered a man and exiled my king the night before they crowned me.”

Alternating between a fast-paced main story and eloquent introspection, Talyien’s tale explores her past and the events that shaped her—primarily those set in motion by her father, a warlord whose civil war ended with his newborn daughter’s betrothal to her enemy’s young son—and the impact they had. Talyien has always carried the weight of being her father’s daughter and shouldered the burden of those duties, and I really loved how I kept wondering just how self aware she truly was as she told her story, both because it added character-focused suspense and seemed fitting for a protagonist who never got to just be herself.

As wonderful as The Wolf of Oren-Yaro is, The Ikessar Falcon takes the series to the next level (and I have been having the hardest time writing a review of it because it’s so amazing I don’t know how to even begin to properly do it justice). It expands on the world and characters, it’s better paced, and it has more magic, adventure, dragons, and revelations. I think this series is epic fantasy at its very best, mainly because of Talyien, a complex character who seems real. Even when I wanted to yell at her for her decisions, I wanted to cheer for her author because the ways she frustrated me felt so very true to Talyien.

For more about Queen Talyien, you can read K. S. Villoso’s 2020 Women in SF&F Month essay on her.

Court of Lions by Somaiya Daud - Cover Image

New Release of the Year
3. Court of Lions (Mirage #2) by Somaiya Daud
My Review of Mirage
Read Excerpts: Mirage | Court of Lions

Court of Lions was one of my top anticipated 2020 releases after reading Somaiya Daud’s excellent debut novel, Mirage, and I loved it every bit as much—maybe even a little more. This Moroccan-inspired science fiction duology follows Amani, a young woman the Emperor has taken from her home and family due to her uncanny resemblance to his heir. She is then trained to be the princess’ body double, and while she experiences the cruelty that made her father want someone to pretend to be her during public events, she also comes to understand her struggles and vulnerabilities as she walks in her shoes. Amani realizes the princess’s demeanor does not necessarily reflect her heart and that it may still be possible for her to decide to be the better version of herself and work toward being better than her father.

Both Mirage and Court of Lions are thoughtful, beautifully written books with a lot of depth. The writing and characterization are superb, particularly how they intertwine to create a lyrical voice perfectly encapsulating Amani’s insight, empathy, and poetic soul. She has compassion, inner strength, and determination, and she considers potential outcomes before taking risks—and decides that the good she can do with her unique position is worth the potential danger of joining the rebellion against the Empire. But it’s a delicate dance as she also comes to care for the Emperor’s heir, a lonely young woman unsure of who she is as a daughter of both the conquered and the conqueror, and begins to develop a complicated potential friendship with her. This relationship is the heart of the books, and I loved how well-developed both characters were—and how the princess became more dimensional, sympathetic, and likable without brushing away her worse actions.

Court of Lions is a fantastic conclusion that continues to explore this dynamic and expands on the world’s history and lore, particularly by revealing more about the tesleet birds. This duology is something rare and special with its gorgeous prose and richly developed characters and setting.

For more about why she used a futuristic setting for this story, read Somaiya Daud’s 2019 Women in SF&F Month essay titled “Ideologies of Space.”

The Obsidian Tower by Melissa Caruso - Cover Image

4. The Obsidian Tower (Rooks & Ruin #1) by Melissa Caruso
My Review
Read an Excerpt

The Obsidian Tower is the first book in a new epic fantasy series set in the same world as Melissa Caruso’s Sword and Fire trilogy (The Tethered MageThe Defiant HeirThe Unbound Empire). All three of those books were among my favorites during their respective publication years, and once again, Melissa Caruso has written one of the most absorbing books I read over the course of a year—and one that is especially notable for managing to thoroughly hook me during one of the times I’d most been struggling to read during the trash fire that was 2020.

Set about 150 years after the previous books, The Obsidian Tower follows Ryx, the granddaughter of a powerful Witch Lord. Given her heritage, Ryx should have awe-inspiring, life-sustaining magic like others in her family—but instead, she has to steer clear of plants, animals, and people because her power kills all that she touches. When she came of age, her grandmother made her the Warden of her castle with its Door to the mysterious black tower that tradition says must remain sealed, but everything goes wrong when a guest ambassador sneaks in, opens the Door, and dies by direct contact with Ryx when the latter tries to prevent her from further meddling.

This became one of those books that I could hardly put down—and better yet, I kept pondering the mysteries surrounding the Black Tower and Ryx’s magic and questioning which characters were trustworthy after I couldn’t avoid putting it down. The Obsidian Tower is an incredibly fun story with entertaining banter, plenty of family drama, and heartwarming friendships-in-the-making (and how I loved Whisper, the castle’s resident fox-like chimera).

Black Sun by Rebecca Roanhorse - Cover Image

5. Black Sun (Between Earth and Sky #1) by Rebecca Roanhorse
Read an Excerpt

Black Sun, the first book in an epic fantasy trilogy inspired by the pre-Columbian Americas, shows what led to momentous events that took place in the holy city of Tova on the day of Convergence, when the winter solstice coincided with a solar eclipse. Though it’s not linear and does delve into previous years, it primarily focuses on the days nearing Convergence and follows four characters: a man whose mother told him he’d become a god, a sea captain with an affinity for water and a Song that can calm it, a Sun Priest in the midst of political intrigue and on the brink of betrayal, and a member of the Carrion Crow clan who has a giant crow companion.

Black Sun is fantasy storytelling at its best. It’s not fast-paced as it leads up to a big finale, but it’s an immersive book that had me riveted from start to finish. It’s a novel that feels much longer than it is, and I mean that as a compliment: there is so much worldbuilding and characterization packed into its pages that it’s awe-inspiring to realize it’s not a massive tome. As a corvid fan, I also loved that there was an avatar of a crow god and a crow rider, but my favorite character was the sea captain. (I knew I would be fond of her from her introduction, in which she woke up in an unfamiliar place and came to realize she was in jail…again.) This is an amazingly vivid book with a world and characters that feel real, further aided by details like the wonderful epigraphs at the beginning of each chapter.

The Empire of Gold by S. A. Chakraborty - Book Cover

6. The Empire of Gold (The Daevabad Trilogy #3) by S. A. Chakraborty
Read an Excerpt/Listen to an Audio Sample

The Kingdom of Copper, the second book in the Daevabad Trilogy, was one of my favorite books of 2019 (and remains my favorite book in this series), and I also very much enjoyed the series conclusion. The trilogy starts with a con woman living in Cairo in the eighteenth century, not knowing why she has unusual healing abilities and can understand languages she’s never studied. Then she accidentally summons a djinn who recognizes her as a member of the powerful family he served and informs her she’s only half human. He brings her to the djinn city of Daevabad, which was ruled by her ancestors until they were overthrown by the current royal family, where she meets the only other character to have a perspective throughout all three books: the younger of the king’s sons, an idealistic warrior who is usually either ardently admired or ardently despised for his deeply held principles.

I love the blend of history and myth and how real the author made both, from the practice of non-magical human medicine to the politics and factions within Daevabad, and the characters and lush writing are fantastic. The relationship between the two primary characters is well developed whether they’re currently on friendlier or rockier terms, and the vivid yet accessible prose pulled me into their stories and the entertaining family drama. The Empire of Gold is a satisfying conclusion to this trilogy, and it continues the trend of avoiding expected paths for characters in certain situations as it explores redemption and looking toward a more just world.

Omake by Karin Lowachee - Cover Image

7. Omake: Stories from the Warchild Universe by Karin Lowachee
My Review of Warchild (Warchild #1)
My Review of Burndive (Warchild #2)
My Review of Cagebird (Warchild #3)

Karin Lowachee’s Warchild series is character-driven science fiction at its very best, and it was wonderful to return to this universe and read more about these characters (and get a sneak peek at the next novel, Matryoshka, which focuses on Cagebird protagonist Yuri’s brother). Although a few of these stories are set before the novels, it would be best to read the previously published books first since these are largely character studies, many of which will not have the same impact without context. Karin Lowachee masterfully creates deep characters with distinct voices who have been through a lot of trauma—usually related to the war between humans and aliens and/or space pirates—and the worst of their experiences tends to be left unsaid in this collection, though understanding what they’ve been through helps understand who they are. I cannot recommend this series highly enough to fans of character-driven stories (but with the caveat that these do explore the effects of war on young people and content warnings include violence, sexual assault/rape, and child abuse/grooming).

Mexican Gothic by Silvia Moreno-Garcia - Book Cover

8. Mexican Gothic by Silvia Moreno-Garcia
My Review
Read an Excerpt

Silvia Moreno-Garcia intertwines Mexican history with the supernatural in her standalone Gothic horror novel following Noemí, a university student living in Mexico City in the 1950s. Noemí visits a mountain town inspired by the British-influenced town Real del Monte to check on her recently married cousin after she sent a letter rambling about poison, ghosts, and whispers in the walls of her new residence. There, Noemí finds herself staying in a creepy old mansion inhabited by a creepy family—both of which only become creepier the more time she’s in their presence.

Mexican Gothic keeps increasing the stakes with each chapter, growing more and more disturbing as Noemí learns more about the family her cousin married into and begins having strange visions and oddly realistic dreams herself. But as haunting as her experiences are, the revelations about how those horrors came to be are even more so, given that they were created because of an all-too-familiar disregard of others and their humanity. Mexican Gothic and its resourceful, loyal, determined heroine stuck with me and piqued my interest in reading more Gothic horror.

The Bone Shard Daughter by Andrea Stewart Book Cover

9. The Bone Shard Daughter (The Drowning Empire #1) by Andrea Stewart
My Review
Read an Excerpt

The Bone Shard Daughter, the first book in an Asian-inspired epic fantasy trilogy, follows five different characters in an archipelago ruled by a mad-scientist-like Emperor who practices bone shard magic. His subjects are required to give him pieces of their bones that are then used to animate his constructs, creatures made from various sewn-together animal parts that follow his commands and help him run the Empire.

The five perspectives, which range from that of royalty to that of a bookseller who grew up on the streets, merge to show a bigger picture of what life is like in the Empire and the ill treatment of the common people. The Emperor’s daughter tries to regain her memories and uncover the secrets of her father’s bone shard magic while the bookseller gets herself and her girlfriend, a governor’s daughter, entangled in a revolution. Meanwhile, a woman awakens from a fog to wonder why she has no memories of life before the island she’s been living on with a group of people doing the same things every day, and a smuggler inadvertently gains a reputation as a legendary rescuer of children after he does so one time—and keeps agreeing to do so against his better judgment, largely due to the urging of the otter-kitten-like mystery animal he also rescued.

The opening lines of The Bone Shard Daughter made me want to read more, and I really appreciated how most of these stories did not feel like a beginning: these characters were already in the midst of interesting stories, and their situations just became more compelling from there. Although I also very much enjoyed the story of Lin sneaking through the castle and discovering the Emperor’s creepy secrets, my favorite story was that of the smuggler and the adorable animal companion who ends up bringing out the best in him—but in general, it follows characters who are trying to do their best and learn to do better in the process.

For more about the already established relationship between the governor’s daughter and the former street orphan, read Andrea Stewart’s 2020 Women in SF&F Month essay, “Happily Ever Aftermath.”

The Unspoken Name by A. K. Larkwood Book Cover

10. The Unspoken Name (The Serpent Gates #1) by A. K. Larkwood
Read an Excerpt

A. K. Larkwood’s debut novel, The Unspoken Name, is about an orc who was raised to be sacrificed to the Unspoken One—but when she’s about to meet her fate, a mage convinces her to come with him and live despite her concerns about upsetting the god. She trains as an assassin and serves the powerful, power-hungry mage who gave her a choice other than death, particularly by aiding him in his obsessive search for an artifact that would allow him to attain great knowledge.

The Unspoken Name drew me in immediately with its atmospheric depiction of life in the Shrine of the Unspoken One, and the different worlds explored via Gate-travel and the sweet romance that developed between the orc and a priestess were also highlights. But my favorite parts of this novel were the interactions between characters—particularly the dynamic between the main character and another one serving the mage, who despise each other but are often forced to work together anyway—and the frequent entertaining line of dialogue or narrative.

For more about why she chose to write about a non-human protagonist in The Unspoken Name, see A. K. Larkwood’s 2020 Women in SF&F Month guest post.

The Leaning Pile of Books is a feature in which I highlight books I got over the last week that sound like they may be interesting—old or new, bought or received in the mail for review consideration (the latter of which are mainly unsolicited books from publishers). Since I hope you will find new books you’re interested in reading in these posts, I try to be as informative as possible. If I can find them, links to excerpts, author’s websites, and places where you can find more information on the book are included, along with series information and the publisher’s book description. As an Amazon Associate I earn from qualifying purchases.

This week I’m highlighting two books I preordered, both of which are related to books that appeared on my favorite books of 2019 list. One of these technically showed up the week before last, but I didn’t post about it then because it was the only book to discuss and I was focusing on writing last week’s book review after having been busy with work projects for a little while.

And, in case you missed it, here is the latest new post:

  • Review of A Deadly Education (Scholomance #1) by Naomi Novik — Since I loved Uprooted, I’d been looking forward to Naomi Novik’s latest book inspired by the Scholomance legend, but this one wasn’t really to my taste. Although I did enjoy the story and the dynamic between the main characters, it seemed that there was more explanation than story and I did not enjoy the rambling narrative style.

On to the new books!

The Burning God by R. F. Kuang - Book Cover

The Burning God (The Poppy War #3) by R. F. Kuang

The final book in Astounding Award–winning author R. F. Kuang’s debut epic fantasy trilogy is out now (hardcover, ebook, audiobook). The Harper Collins website has a text excerpt and an audio sample from The Burning God, as well as excerpts and audio samples from the previous books in the series, The Poppy War and The Dragon Republic.

When I preordered it, I also signed up to receive an e-copy of The Drowning Faith, some scenes written from Nezha’s point of view. If you missed this, you can now download The Drowning Faith from R. F. Kuang’s website.

Also, R. F. Kuang wrote a Women in SF&F Month guest post shortly before the release of The Poppy War: “Be a Bitch, Eat the Peach,” in which she discusses the Chinese legend of the Moon Lady, her love of Azula from Avatar: The Last Airbender, and a little about the women in her series.

The Poppy War was one of my favorite books of 2018, and I thought The Dragon Republic was even better so I’m looking forward to finding out how the series ends (and I am excited for Nezha’s viewpoint!).

 

The exciting end to The Poppy War trilogy, R. F. Kuang’s acclaimed, award-winning epic fantasy that combines the history of twentieth-century China with a gripping world of gods and monsters, to devastating, enthralling effect.

After saving her nation of Nikan from foreign invaders and battling the evil Empress Su Daji in a brutal civil war, Fang Runin was betrayed by allies and left for dead.

Despite her losses, Rin hasn’t given up on those for whom she has sacrificed so much—the people of the southern provinces and especially Tikany, the village that is her home. Returning to her roots, Rin meets difficult challenges—and unexpected opportunities. While her new allies in the Southern Coalition leadership are sly and untrustworthy, Rin quickly realizes that the real power in Nikan lies with the millions of common people who thirst for vengeance and revere her as a goddess of salvation.

Backed by the masses and her Southern Army, Rin will use every weapon to defeat the Dragon Republic, the colonizing Hesperians, and all who threaten the shamanic arts and their practitioners. As her power and influence grows, though, will she be strong enough to resist the Phoenix’s intoxicating voice urging her to burn the world and everything in it?

How the King of Elfhame Learned to Hate Stories by Holly Black - Book Cover

How the King of Elfhame Learned to Hate Stories (The Folk of the Air) written by Holly Black and illustrated by Rovina Cai

This illustrated collection of Folk of the Air stories about Cardan is out now (hardcover, ebook, audiobook). The Hachette website has an excerpt from How the King of Elfhame Learned to Hate Stories.

Rovina Cai’s artwork makes this look like a lovely book, and I’m excited about having more to read set in Elfhame!

 

Return to the captivating world of Elfhame with this illustrated addition to the New York Times bestselling Folk of Air trilogy that began with The Cruel Prince, from award-winning author Holly Black.

Once upon a time, there was a boy with a wicked tongue.

Before he was a cruel prince or a wicked king, he was a faerie child with a heart of stone. #1 New York Times bestselling author, Holly Black reveals a deeper look into the dramatic life of Elfhame’s enigmatic high king, Cardan. This tale includes delicious details of life before The Cruel Prince, an adventure beyond The Queen of Nothing, and familiar moments from The Folk of the Air trilogy, told wholly from Cardan’s perspective.

This new installment in the Folk of the Air series is a return to the heart-racing romance, danger, humor, and drama that enchanted readers everywhere. Each chapter is paired with lavish and luminous full-color art, making this the perfect collector’s item to be enjoyed by both new audiences and old.

Additional Book(s):

As an Amazon Associate I earn from qualifying purchases.

Book Description:

NEW YORK TIMES BESTSELLER • From the author of Uprooted and Spinning Silver comes the story of an unwilling dark sorceress who is destined to rewrite the rules of magic.

“The dark school of magic I’ve been waiting for.” Katherine Arden, author of Winternight Trilogy

I decided that Orion Lake needed to die after the second time he saved my life.

Everyone loves Orion Lake. Everyone else, that is. Far as I’m concerned, he can keep his flashy combat magic to himself. I’m not joining his pack of adoring fans.

I don’t need help surviving the Scholomance, even if they do. Forget the hordes of monsters and cursed artifacts, I’m probably the most dangerous thing in the place. Just give me a chance and I’ll level mountains and kill untold millions, make myself the dark queen of the world.

At least, that’s what the world expects. Most of the other students in here would be delighted if Orion killed me like one more evil thing that’s crawled out of the drains. Sometimes I think they want me to turn into the evil witch they assume I am. The school certainly does.

But the Scholomance isn’t getting what it wants from me. And neither is Orion Lake. I may not be anyone’s idea of the shining hero, but I’m going to make it out of this place alive, and I’m not going to slaughter thousands to do it, either.

Although I’m giving serious consideration to just one.

With flawless mastery, Naomi Novik creates a school bursting with magic like you’ve never seen before, and a heroine for the ages—a character so sharply realized and so richly nuanced that she will live on in hearts and minds for generations to come.

Given my love for Uprooted and enjoyment of magic school settings, I had been quite looking forward to the first book in Naomi Novik’s Scholomance trilogy, A Deadly Education. I was even more excited to pick it up after seeing this paragraph about its inspiration on the author’s website:

One of the oldest legends of a school for witchcraft and wizardry is the story of the Scholomance, a hidden institution said to be run by the Devil himself, where the students are cloistered for years, never seeing the sun while learning the darkest of arts. Ever since I first read about this mysterious place in my middle-school library, I’ve been imagining its story. Who are the students in its classrooms and why would they or their parents accept the price the school exacts?

However, I did not find the Scholomance imagined in A Deadly Education particularly compelling, and even though I did like the overall story and the dynamic between the two main characters, these were not strong enough to make up for the amount of dull exposition between the good parts.

The basic premise is that there are a few people in the world who possess magic, and monsters that are drawn to magic are especially drawn to teenagers that possess it. It’s supposed to be safest for these young people to spend their teenage years cloistered in this school without any teachers, which still has monster attacks galore but also has plenty of books and customized assignments allowing students to hone their particular gifts.

For El (short for Galadriel), that gift is an affinity for destructive magic, and as much as she tries to resist it after her great-grandmother prophesied of the horrors she would one day cause, the school keeps trying to push her in that direction. For instance, when she requests a spell for cleaning up the foul monster goo that is all over her room (thanks to Orion Lake’s penchant for monster killing), she receives one spell that would set everything on fire and another that would allow her to enslave people to do as she commands. (After several tries, she does get the type of spell she was hoping for, but it’s in one of the languages she finds most difficult.)

Although I didn’t find the worldbuilding convincing (especially that a bunch of powerful magic-users couldn’t have come up with a better solution than a still-very-dangerous school, at least given what has been revealed so far), I did appreciate that it explored who exactly has the connections and resources to benefit from such a system. I also like where I suspect the prophecy about El is headed, and once I got to know and understand her, I came to like El herself. At first, she was rude and grating, but as she started to form some friendships, her better qualities came to the forefront: her loyalty, her desire for justice, her disdain for others being treated as a means to someone else’s advancement without regard for them as people, her refusal to take the easier path when it clashes with her values.

It’s these best parts of herself that cause Orion to continue to seek her out even after he realizes she’s not actually an evil he needs to keep an eye on. Many of the people surrounding the school’s famed monster hunter see him as someone who can improve their chances of surviving to graduate without caring one whit about him, and sharp-tongued as El is, she is also the only one who treats him like a person instead of a hero. And El finds herself inexplicably fond of Orion in spite of herself, after she realizes he’s genuinely decent and not destroying monsters for glory.

The development of their relationship is fun, as is discovering just how powerful El is—and just how much destruction she could unleash—but these aspects are overshadowed by the many infodumps. El’s first-person perspective is filled with rambling, lengthy explanations of just about anything that comes up: the school and its history, the workings of magic, the various monsters and how to kill them, her past, what she knows about the other students from their families to their magical enclaves, and so forth. A Deadly Education seemed to contain more exposition than actual story, and neither the information conveyed nor the voice were engaging enough to carry it for me. Although I thought it mostly succeeded at making El’s narrative fit her character, I can’t say I enjoyed the long-winded style and the attempts at dark-but-casual-humor largely failed to amuse me. I almost put this book down on several occasions and it wasn’t until the last third or so that it seemed to be going anywhere—but it still didn’t go far enough that I felt like drudging through page after page of dull narration paid off.

Despite that, I actually am a little curious about the next book since I did grow to like El as well as the relationships she was building. I’m not so sure I’ll actually read The Last Graduate once it comes out given that I didn’t feel that the positives outweighed the amount of negatives, but I may give it a try if I hear that it has less explanation and more focus on moving the main protagonist’s story forward.

My Rating: 4/10

Where I got my reading copy: Electronic copy from the publisher.

Read an Excerpt from A Deadly Education

The Leaning Pile of Books is a feature in which I highlight books I got over the last week that sound like they may be interesting—old or new, bought or received in the mail for review consideration (the latter of which are mainly unsolicited books from publishers). Since I hope you will find new books you’re interested in reading in these posts, I try to be as informative as possible. If I can find them, links to excerpts, author’s websites, and places where you can find more information on the book are included, along with series information and the publisher’s book description. As an Amazon Associate I earn from qualifying purchases.

Last week I was sent two ebooks to add to the TBR, but first, here are the latest posts in case you missed either of them:

On to the latest books, both of which sound fantastic!

Omake by Karin Lowachee - Cover Image

Omake: Stories from the Warchild Universe by Karin Lowachee

Omake: Stories from the Warchild Universe just came out in ebook last week. It also contains an excerpt from the upcoming fourth Warchild novel, Matryoshka, which is about Cagebird protagonist Yuri’s younger brother.

I absolutely love the character-focused science fiction books of the Warchild universe—Warchild, Burndive, and Cagebird—and am beyond excited about both this collection and Matryoshka. (Content Warning: These books deal with themes related to trauma and the effects of war on young people, and they include violence and child abuse/pedophilia.)

 

In the first collection of original stories based in the universe of the award winning novels WARCHILD, BURNDIVE, and CAGEBIRD, characters both familiar and new flesh out the worlds and lives impacted by a generational interstellar war. Included are the author’s story notes, a glossary of the striviirc-na language, and the first chapter of the fourth novel in the universe, MATRYOSHKA.

Winter's Orbit by Everina Maxwell - Cover Image

Winter’s Orbit by Everina Maxwell

Winter’s Orbit, a new version of Everina Maxwell’s debut novel that was originally published online under the title The Course of Honour, will be released on February 2, 2021 (hardcover, ebook, audiobook).

Tor.com’s announcement has a little more information with quotes from Everina Maxwell and editor Ali Fisher.

 

Ancillary Justice meets Red, White & Royal Blue in Winter’s Orbit, Everina Maxwell’s gut-wrenching and romantic debut.

A famously disappointing minor royal and the Emperor’s least favorite grandchild, Prince Kiem is summoned before the Emperor and commanded to renew the empire’s bonds with its newest vassal planet. The prince must marry Count Jainan, the recent widower of another royal prince of the empire.

But Jainan suspects his late husband’s death was no accident. And Prince Kiem discovers Jainan is a suspect himself. But broken bonds between the Empire and its vassal planets leaves the entire empire vulnerable, so together they must prove that their union is strong while uncovering a possible conspiracy.

Their successful marriage will align conflicting worlds.

Their failure will be the end of the empire.

Today I have an excerpt to share with you—and it’s from Hugo Award–winning author Elizabeth Bear’s new White Space novel! Machine, a standalone novel set in the same universe as Ancestral Night, was just released last week and is now available in hardcover, ebook, and audiobook.

 

Machine by Elizabeth Bear - Cover Image
Buy Machine on Bookshop

ABOUT MACHINE:

In this compelling and addictive novel set in the same universe as the critically acclaimed White Space series and perfect for fans of Karen Traviss and Ada Hoffman, a space station begins to unravel when a routine search and rescue mission returns after going dangerously awry.

Meet Doctor Jens.

She hasn’t had a decent cup of coffee in fifteen years. Her workday begins when she jumps out of perfectly good space ships and continues with developing treatments for sick alien species she’s never seen before. She loves her life. Even without the coffee.

But Dr. Jens is about to discover an astonishing mystery: two ships, one ancient and one new, locked in a deadly embrace. The crew is suffering from an unknown ailment and the shipmind is trapped in an inadequate body, much of her memory pared away.

Unfortunately, Dr. Jens can’t resist a mystery and she begins doing some digging. She has no idea that she’s about to discover horrifying and life-changing truths.

Written in Elizabeth Bear’s signature “rollicking, suspenseful, and sentimental” (Publishers Weekly) style, Machine is a fresh and electrifying space opera that you won’t be able to put down.

 

Excerpted from Machine by Elizabeth Bear

Copyright © 2020 All Rights Reserved. Reprinted with permission from Saga.

Chapter 1

 

I STOOD IN THE DOOR AND LOOKED DOWN.

Down wasn’t the right word, exactly. But it also wasn’t exactly the wrong word. All directions were down from the airlock where I stood, and almost all of them were an infinitely long fall.

I wasn’t only staring into bottomless space. I was aiming: aiming at a target that wheeled sickeningly less than a klick away. My own perch was also revolving around a central core, simulating a half a g or so, just to keep things interesting.

I was standing in the airlock door because I was going to jump.

Just as soon as I got my bearings and my timing.

I don’t get to be afraid now. I get to be afraid before and I get to be afraid after. But I don’t get to be afraid during.

There’s no room during for being afraid. So I have to fold the fear up. Tuck it out of sight and get on with all the important things I was doing.

In this case, saving lives and making history. In that order of priority and the reverse order of chronology.

I hoped to be saving lives, anyway, if I got lucky and there were still some lives on the other side of my jump to save.

Across that gulf of vacuum lay the ancient ship we pursued. It wasn’t far, by space travel standards. A few hundred meters, and it seemed like less, because Big Rock Candy Mountain was thousands of meters in diameter.

I say ship. But what I was looking at was an enormous wheel whipping around its hub as if rolling through space. It was a station orbiting no primary; an endless scroll of hull unreeling—subjectively speaking, because on my own ship I felt like I was standing still—in a spring-curl spiral twisting around us.

Not a smooth hull, but a rocky and pockmarked one. One punctured by micrometeors and crumpled by sheer stresses. With bits of structure projecting from the surface at varied angles and its cerulean and gold paint frayed by unfiltered ultraviolet and abraded by space dust.

Big Rock Candy Mountain was old.

About six hundred ans old, to be as precise as I could without running a lot of fussy conversions in my head. She’d come from Terra in the pre-white-drive era, and over the centians she had built up tremendous velocity.

She was zipping along at a solid fraction of the speed of light, out here in the dark places between the stars, much farther from home than she could have possibly been, her course no longer anything like the original plot retrieved by Core archinformists.

Maybe she’d gotten lost, or an impact that had caused some of the damage to her hull had knocked her off course. Or maybe the people who had outfitted her had lied about where they planned to go. The era of Terra’s history that had spawned sublight interstellar exploration and the generation ships had not been one of trust and peaceful cooperation between peoples. More one of desperate gambles and bloody-nailed survival.

Only one generation ship had ever reached a destination as far as history was aware, and that hadn’t ended well. We were here because this one had sent out a distress signal, and a Synarche ship, tracing it, had found her. And sent out a data packet requesting assistance on Big Rock Candy Mountain’s behalf.

The Synarche ship had not been in contact since, which was disconcerting. And its locator beacon, and Big Rock Candy Mountain’s distress signal, were still beeping away down there. And so we were here: to see if we could rescue anybody. If there was anybody left to rescue.

It didn’t look promising. The ship behind us was another ambulance, but the one after that contained a team of archaeologists and archinformists, and I had an unsettling premonition that there was going to be a lot more useful work for them to do than for us. I wasn’t sure exactly how far behind us they were, but I expected we were on our own for at least five to ten diar. The rescue could not afford to wait for backup.

There could be people alive in there. We had to proceed as if there were, until we had proven otherwise. But they’d done nothing to acknowledge our approach, and they had not responded to hails on the same frequencies as their distress beacon.

I couldn’t have preconceptions, because I couldn’t afford to miss anyone who might be alive. Nevertheless, contemplating the vast ruin before me made me feel sad. Worse, it was that creeping, satisfying sadness you get when you look on a ruin: at something long destroyed, something lost that isn’t your problem.

My own ship, Synarche Medical Vessel I Race To Seek the Living, was an ambulance associated with Core General. She had spent nearly a standard month with her modern engines burning fuel recklessly to match velocity with Big Rock Candy Mountain. Sally—as we called her—was fast, maneuverable, and had outsize sublight engines for her mass. She also had an Alcubierre-White drive for FTL travel, though since it didn’t impart any actual velocity to the ship, it couldn’t be used to chase down quarry in normal space. We’d had to slingshot the big gravity well at our origin point in the Core to accelerate, then conserve momentum through the transition in order to catch the speeding generation ship.

I say “slingshot” like it was a routine maneuver. In reality, there’s nothing quite like staring into the most enormous black hole in the galaxy, then flying right down its gullet like a gnat with attitude. (Inasmuch as anybody can stare into an actual black hole with their actual eyes unless they belong to one of the exotic species that can visualize X-rays or radio waves.)

So we’d already had one adventure leaving the Core, and now here we were. We weren’t docking with Big Rock Candy Mountain. We had no information about the structural integrity of this antique hulk, but common sense suggested it would be fragile. Unbalancing it, subjecting it to the stresses of docking—both were terrible ideas. We’d have to use one of our adaptable docking collars, anyway, because the idea that our hardware and theirs would be compatible was laughable.

That’s why I was jumping.

It was not as dangerous as it probably seems. I’m Sally’s rescue specialist: getting people out of dangerous situations is my job, and I do this sort of thing frequently.

The insertion can be dicey, though.

My hardsuit had jets, so I had maneuverability. And everything in space is moving incredibly fast anyway, so what matters is the relative velocity. If you and I are moving at the same speed in the same direction and there’s nothing else around us, we’re functionally not moving.

Space has a whole lot of nothing. If I jumped at the right time, and corrected for Sally’s rotation, all I had to do was match velocity with the wheel and snug down onto it.

It was still breathtaking to stand inside that open airlock and look down. Sally had the processing power to hold a position over, or rather outside, Big Rock Candy Mountain basically forever. But Big Rock Candy Mountain was spinning, and one or two of her enormous central cables had snapped over the centians, so her spin had developed a wobble.

She was also wobbling for a more disturbing reason. There was a ship docked to the outside of her ring. One with white drives—a modern ship. A fast packet crewed by methane breathers: the one that had relayed the distress signal. Its—his, I checked my fox—name was Synarche Packet Vessel I Bring Tidings From Afar. Why in the Well he had docked with an ox ship, what he was still doing coupled to it, and why he wasn’t answering hails was a series of mysteries for which there was no answer in Sally’s databases.

And Sally, being a rescue vessel, has extremely comprehensive databases.

“Sally,” I asked my faceplate, “how’s our telemetry?”

“Pretty good, Llyn,” the shipmind answered. “We’ve matched velocity and vector, and we’re stable. Can’t do much about that spin.”

Good to know I wasn’t the only one worried about it.

“I’m in the door,” I said, which she already knew. But you’re supposed to maintain a verbal narrative. For the flight recorders and in case anything goes wrong and your crewmates don’t notice what you’re doing. It also lets them keep an eye on your checklists so nothing gets forgotten. Safety first. “Where’s Tsosie?”

His voice came through. “At the other door. Ready to go on your word, Llyn.”

He was the ambulance’s commander and senior trauma specialist, but I was the rescue specialist and this was my op. Rhym, our flight surgeon, outranked both of us as far as Core General seniority was concerned, but right now I was in charge of them, too. If we had to go to surgery, Rhym would become the authority figure.

It wouldn’t have made sense in a military outfit, so it had taken a while for me to get used to the way command shifted between team members. But it made sense for Sally.

“In three,” I said, and that many moments later we were sailing across the space between Sally and Big Rock Candy Mountain. As I stabilized, the apparent spiral of the generation ship smoothed out into a wheel so unnervingly that I wanted to slap a topologist.

Tsosie and I would have been a matched set, but Tsosie was trailing the sled that contained rescue supplies, portable airlocks, a laser cutting torch, and autostretchers. I had four drones limpeted onto my back beside the air tanks.

You can send back for stuff. But that takes time. Time isn’t always something you have when responding to an incident. We’re told to adapt, improvise, overcome. Perform the mission.

That part is not so different from what I did in the Judiciary. You do the thing that gets the correct result—within legal and ethical limits— and you fill out the paperwork later.

I like my job.

Sally fed me the telemetry through senso. Both Tsosie and I had jumped well. We used our jets to add v, so it seemed as if Sally were dropping behind while the turning wheel underneath us slowed. Soon, we were stationary relative to the surface, using our jets only to continue to course-correct into the curve of the ship’s habitation ring as we began to close the distance to it. We needed to get low, relatively speaking, because Sally would be coming around again soon.

“That looks like a decent spot,” Tsosie said, picking it out for me in the senso feed.

I studied the highlighted patch. It was flat and there were grab loops. I couldn’t see an airlock hatch, but some of the handholds and what I assumed were tether safeties led toward the interior surface of the wheel. You get a good sense of ship design in my business. I’d put airlocks there, where you wouldn’t have to deal with centripetal force on the way out or in.

“Let’s go around the corner,” I said. As soon as we touched the ship, the spin would start trying to throw us off. This was easier.

Tsosie followed my lead.

The inside surface of the wheel reminded me of the plated underbelly of some kind of legless lizardmorph. It was slightly concave, and though the concavity was a little uneven due to the broken cables, I assumed it had been intentional. Anything that made running around on the outside of your ship a little less profoundly hazardous was good. You never know when you’ll need to go outside and fix a lightsail or something, and space is awfully big.

Lose track of your ship for a few moments and you might never find it again.

We touched down lightly. Our mag boots latched onto the hull, and suddenly we were standing comfortably under about a third of a g.

Tsosie looked over and grinned at me through the faceplate. “Smooth.” He crouched down. “Do you know what I hate?” he continued, running his gauntlets over the hull.

“Do I care what you hate?” I asked.

“I hate it when you take a shit, right? And at the end of it there’s this little hard nodule—no, splinter, this little hard splinter of poo, all by its lonesome. And, you know, there’s no bowel movement behind it to push it out. It’s stranded there in your sphincter, and you can feel it but there’s nothing civilized you can do to get it out.”

“This conversation is being recorded.”

He shrugged.

“You could eat a carrot.” I lowered my head over the readouts on the backs of my hardsuit gloves.

“A what?”

“Carrot,” I said. “A sugary, edible root.”

“What’s that supposed to do, push it out the other end?”

“Nah,” I said. Then, “Well, sort of. If you’re experiencing hard little pellet feces, you’re constipated because you’re either dehydrated, or because you’re not getting enough fiber. Or both. Carrots have water and fiber. Eat carrots and you’ll get nice clean poops. If we lived on a planet, I’d tell you about apples—”

“What’s an apple?”

“What you eat every dia to keep the doctor away,” I said. “At least if your problem is an impacted bowel. Of course, if we kept doctors away, neither one of us would have anybody to talk to…. Oh, look. There’s the airlock.”

I walked toward it, boots clomping with each step. I could hear it through the contact with the hull and the atmosphere inside my hardsuit.

Tsosie followed. “Are you okay, Jens? You look kinda grayish.”

It was taking a fair amount of concentration not to wobble as I walked. “Food is not sitting so well.”

Tsosie grinned at me. He didn’t turn his faceplate toward me, but I could feel it through the senso. “I guess the potty talk isn’t helping.”

“I’m wearing too many ayatanas.” I had half a dozen recorded memory packets from various individuals loaded into my fox: drawing on their expertise for any clues about how to communicate with or help either the ancient humans that might be inside Big Rock Candy Mountain, or the methane-breathing systers aboard the docked, modern ship.

It was a plausible excuse for walking funny, anyway.

The airlock was a manual one, dogged with a wheel. The wheel was stiff with age and lack of maintenance, but I wear an exo for medical reasons. Between me, the exo, and the hardsuit’s servos I got the thing to grind free without having to throw myself on Tsosie’s mercy. I like to do things for myself, because I haven’t always been able to.

It makes me appreciate the small things. Such as being able to turn a sticky wheel.

“Deploying bubble,” Tsosie said.

I gave the wheel a turn or two, but didn’t undog it completely until Tsosie had set the bubble up, adhering the rim to Big Rock Candy Mountain’s hull. It wasn’t a full airlock. Once it was installed the only way out was to cut the membrane. But we had no way to gauge whether the airlock behind the hatch was pressurized, or even intact. Or if the interior door was open. We could explosively decompress part of the generation ship, if we weren’t careful.

There was a thing that might be a pressure gauge. The crystal over it was cracked, and if you squinted past the cracks the needle inside lay flat against one peg. If I was reading the archaic numerals right the needle rested on the depressurized side. That was a good sign for avoiding explosive decompression, if it was accurate: nothing inside to decompress.

It might be a bad sign for anybody inside the generation ship, though.

Sensible airlock design provided for a safety interlock such that one could not open both hatches at the same time. You probably wouldn’t be surprised by how often people—even modern rightminded people, even nonhuman people—fail to do what’s sensible. I wasn’t prepared to assume that unrightminded folks from the distant past—desperate enough to light out for stars even their great-grandchildren would never see, while flying the spacefaring equivalent of a very large, leaky rowboat—would be notably cautious individuals.

I checked Tsosie’s work on the bubble, which was as meticulous as ever. I was having a bad pain dia, so I tuned a little to control it. Not too much, though. Being dopey feels gross, and depressing your reflexes is a terrible idea when you’re entering a rescue zone.

Okay, maybe the ayatanas weren’t the only reason I was looking a little gray.

While I was adjusting, Tsosie finished opening the hatch. No air puffed out. It looked like the gauge was working after all. Or was maybe accidentally correct. There was a ladder inside the aperture. He climbed down and I followed, closing the hatch behind me.

“We’re in,” I told Sally. “Looks like an airlock should.”

The second hatch was off to my right as I stepped off the ladder. The space was large enough for six space-suited humans—or two humans and a large piece of equipment—and utterly barren. The bulkheads were a dingy beige, the paint scuffed with bumps and rubs. The ship had stayed functional and in use for some time after launch, then. But either the ship, the management, or the crew had not been functional enough for meticulous maintenance to be the norm.

I wondered how many generations had managed to live and die here. I wondered again if there were still people on board. I wondered if they had triggered the distress beacon, and if so, when.

What leads you to put a beacon on a ship that never plans on encountering another of its kind?

I knew less time had elapsed on this ship than for those of us who stayed home and joined the Synarche. Big Rock Candy Mountain was moving so fast after centians of acceleration that she had attained relativistic speeds. Every standard second we spent here was one point three standard seconds out in the rest of the universe.

Not a big difference, if you only stayed a week. It would mean roughly two extra diar going by in the outside galaxy. But over the course of half a millennian, the time dilation added up.

The pressure gauge in the inside hatch was more legible. It read .83, and since it maxed out at 1, I guessed that meant Terran atmospheres.

Tsosie and I took turns spraying each other’s hardsuits with decontam. We were the same species as the people who built this creaking, ancient vessel, but—in the thrilling eventuality that any were still alive— we and they were six hundred ans separated. Our microbes would eat their immune systems for lunch, and vice versa. It would be an enormous tragedy to reconnect with a lost branch of humanity only to start a pandemic and kill everybody on both sides.

So we wouldn’t do that.

“What we could learn from this place,” Tsosie breathed.

He let the pressure equalize, and suddenly I could hear the creaks and groans of the ancient ship around me. Strained metal and some distant thumps that sounded like the ring of machinery. No voices, and nothing that sounded like voices.

I thought I had been keeping my hopes down, but my spirits still fell. I wasn’t feeling particularly good about our chances of finding survivors. We had not been subtle about our approach—it doesn’t do to sneak up on people—and if anyone was still driving this thing, surely they would have answered our hails. Radio was radio. Or they would have come to meet us at the airlock, or at least sent a bot.

Artificial intelligences dated back to before the Eschaton, and Sally’s data library suggested that most of the generation ships had shipminds of a sort. Wheelminds? I didn’t even know what nomenclature you’d use for a ship this big.

Nobody spoke to us, even when I said the ship’s name out loud, amplifying it through my hardsuit speaker, and requested permission to enter.

Well, maybe somebody was on the other side of the hatch.

Tsosie tipped his head and dipped his shoulder, the broadly expressive gestures of somebody used to communicating through a hardsuit. “Here goes nothing.”

“Give it your best,” I said, and watched him lean on the hatch wheel.

 

Tsosie swung the hatch wide, and—nothing happened.

Nothing besides a brief puff of equalizing air, that is. I hadn’t really expected a welcome party, but it would have been a nice surprise.

“Huh,” he said, peering around the hatch. “Well, that’s interesting.”

That’s not a reassuring thing to hear when you’ve just broken into a space ship older than your species’s membership in civilization. I leaned sideways to peer over his shoulder.

The entire corridor was filled with what seemed at first to be a strange sort of honeycomb or spiderweb. The illumination was working—not something I would have counted on, after all this time. Let’s hear it for good old-fashioned fusion reactors.

Because the ship spun like a station to simulate gravity, we were standing on the bulkhead that faced the outside of the wheel. Big Rock Candy Mountain was enormous, and I could see quite far down the corridor before the curve of the ship bent out of sight in the distance. The whole space seemed filled with . . . building toys?

Something very similar, anyway, to the sort of peg-and-keeper sets that children of many species with manual dexterity are normally given as they begin to develop curiosity and the ability to use their fingers independently. If they happen to have fingers. These seemed to be printed or extruded in polymer and plated in what I took to be a conductive material of a shimmering, holographic metal. The whole structure created a mesh of interlocking hexagons that entirely filled the passageway.

“Structural reinforcement?” I asked, making sure we still had a connection back to our ship.

“It might be,” Sally agreed. I could feel her relaying Tsosie’s feed—and my feed—to the other four members of the crew. Loese, our new pilot; Hhayazh, a flight nurse; Rhym, the flight surgeon; and Camphvis, the other flight nurse.

It seemed like we were all equally mystified. We’d sent two out of the three Terrans in the crew (Loese was the other one) on this trip out of caution. We couldn’t expect any survivors aboard Big Rock Candy Mountain to have ever encountered a nonhuman sentience. And Hhayazh, in particular, is the sort of twiggy, bristle-covered, black-carapaced insectoid sentience that gives groundlubbers the shrieking jimjams.

Nobody was going to have the shrieking jimjams on my watch if I could possibly help it.

These structures didn’t seem sinister. They refracted light in bright, human colors. Not all primary—purple and orange and green made appearances—but all true and saturated. Kid colors, accentuating their resemblance to toys.

“There’s too many colors for it to be a DNA model,” Tsosie said. “Unless the same amino acids are wearing different dresses.”

I reached past him, and poked the nearest peg with my finger, causing him to gasp and grab my wrist an instant too late to stop me.

Poor life choices got me into this line of work: What can I say?

I didn’t really expect it to react. But I guess I should say that I poked at the nearest peg with my finger, because the whole structure peeled away from my hardsuit before I touched it and rippled with a series of whick-whick-whicking sounds into a folded configuration against the walls of the corridor. It left more than enough room for Tsosie and me to walk side by side.

“If we go in there it’s going to reassemble itself right through our bodies, isn’t it?” Tsosie asked.

“Maybe it’s shy.” I stepped past him, out into the corridor. He let go of my wrist as soon as I started to move. It had been a warning gesture, not a real attempt to restrain me.

Not that he could have. I was the one on the crew with the law enforcement background. And the adaptive exoskeleton under my hardsuit, giving me boosted reflexes and strength.

I paused briefly, and the tinkertoys didn’t nail me into place like a shrike’s victim. That was a good sign. I reached out again, and they peeled away from me again.

“Seems safe,” I said.

Tsosie made a little choking noise. But he followed me, boots clomping only a little. We were both, I noticed, making an effort to walk softly. It’s always hard when you first get back under grav—or simulated grav—not to crash around like one of the elephantine high-gravity systers in a proverbial china shop. The toys continued to peel apart ahead of us, and sealed themselves back up behind. “Maybe they are structural reinforcement.”

“Microbots,” Tsosie said, bending closer to inspect some of them.

“Only big.”

“Where do you get the raw material to make this many . . . microbots? After six hundred ans in space, anyway?”

“Excellent question,” Sally said. “Keep exploring.”

 

Photo of Elizabeth Bear by Kyle Cassidy
Photo Credit: Kyle Cassidy
About the Author

Elizabeth Bear was born on the same day as Frodo and Bilbo Baggins, but in a different year. She is the Hugo, Sturgeon, Locus, and Campbell Award winning author of dozens of novels; over a hundred short stories; and a number of essays, nonfiction, and opinion pieces for markets as diverse as Popular Mechanics and The Washington Post.

Elizabeth is a frequent contributor to the Center for Science and the Imagination at ASU, and has spoken on futurism at Google, MIT, DARPA’s 100 Year Starship Project, and the White House, among others.

She lives in the Pioneer Valley of Massachusetts with her spouse, writer Scott Lynch.

Some recent essays are available on Medium.com.

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